Tuesday, 27 October 2015

Analogue Photography Theory Assignment
Bella Hall 10A

W. Eugene Smith
William Eugene Smith was a photographer who specialised in photographic essays. Smith was born on the 30th of December 1918 in Wichita, Kansas, United States. He lived to 60 years of age, dying from a stroke on the 15th of October 1978 in Tuscan, Arizona, United States (Smith had previously suffered a massive stroke the year before).

Career
W. Eugene Smith first began his career as a photographer taking photos for two local newspapers (The Wichita Eagle and the Beacon). He later moved on to the ‘Newsweek’ in New York but was fired within only one year for refusing to use medium format cameras. In 1939, Smith began his work for ‘Life’ magazine.
During the war, Smith worked for ‘Life’ magazine and Ziff-Davis Publishing where he was often on the front lines in the Pacific theatre of WWII.
During the 1950’s, Smith left ‘Life’ magazine because of their use of his photographs of Albert Schweitzer (one of which had been heavily manipulated). After leaving life, Smith joined the Magnum Photography Agency in 1995, where he began a project documenting the city of Pittsburgh. This project, originally planned to last three weeks, lasted for three years and resulted in tens of thousands of negatives. These photographs were later turned into a book length series of photographic essays.
Between 1957 and 1965, Smith photographed and recorded jazz musicians playing at Manhattan loft. Over these 8 years, Smith took just under 40, 000 photographs, of musicians, the building, and those surrounding it.

In January 1972, Smith was attacked by Chisso Company employees, who were trying to prevent him from further publicising the effects of the Minamata disease. This attack caused Smith to partially lose his sight in one eye, and forced him to take a break from photography. In 1975, the photographic essay containing the information, was published.

Famous Quotes by W. Eugene Smith
-          “I didn’t write the rules. Why should I follow them?”
-          “I try to take what voice I have and I give it to those who don’t have one at all.”
-         

“The world just does not fit conveniently into the format of a 35mm camera.”





William Eggleston
William Eggleston is a photographer born in Memphis, Tennessee, U.S. on the 27th of July, 1939. He grew up on his family’s cotton plantation, and then attended boarding school in Tennessee. Eggleston is most well known for his use of colour.
“I had this notion of what I called a democratic way of looking around, that nothing was more or less important.”

Text Box: I really like this photograph, because of the feeling of complete bliss that it expresses. The combination of the floral print, vintage camera, and the sunlight almost represent childhood, or the content of summer. I also really like the fact that the grass isn’t perfect, and
Text Box: I really like all of the contrasting colours, and textures of this photograph, and how it all pulls together to create a certain atmosphere. I also really like the detail of the pins and updo in the woman’s hair. I think this photo also has an air of elegance and mystery, because of the fact that her face is not shown, and the pearls and the cigarette.
Text Box: Untitled
Text Box: Untitled
Text Box: I like this photograph because of its simplicity and rustic feel. I really like the minimalistic sense of the woman, and how she is photographed to be perceived as mysterious; dancing in the shadows by herself. I think that the contrast in the rust and the creamy white is accentuated with the shadows of the alcove. This photograph reminds me of travelling, and finding interesting places and artwork while wondering unknown cities.
Text Box: Untitled (red doorway), 1972

Elliot Erwitt
Elliot Erwitt was born in Paris, France in 1928. When he was 11, Erwitt and his family moved to the U.S. He later travelled to France and Italy where he used his Rolleiflex camera to take photos.
”I appreciate simplicity, true beauty that lasts over time, and a little wit and eclecticism that make life more fun.”

I really like this photograph because of the contrast in the tiny dog, elegant boots and skirt, and the large dog, who makes you wonder where the rest of his body is; making it appear as if he was standing on two legs, like a human. I love the dog’s beanie and coat, as it adds interest and quirkiness.
 

I like this photograph because of the relaxed and laid back feel that it has, and how it almost makes me feel as if I am Marilyn’s friend, with insight into her daily life, and have been invited into her home where she doesn’t need to impress anybody. I think this photo still manages to capture her natural beauty, and peaceful personality.
 

I really like this photograph because of all the different components. I like the way that you are not looking directly at the couple, and how it is almost like two separate photographs combined. I also really like the simplicity of happiness that is expressed.
 











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